Tag: (E) zhong 重

(2015) Chinese – Musical concepts

Tien, Adrian (2015). The semantics of Chinese music: Analysing selected Chinese musical concepts. Amsterdam: John Benjamins. DOI: 10.1075/clscc.5

Music is a widely enjoyed human experience. It is, therefore, natural that we have wanted to describe, document, analyse and, somehow, grasp it in language. This book surveys a representative selection of musical concepts in Chinese language, i.e. words that describe, or refer to, aspects of Chinese music. Important as these musical concepts are in the language, they have been in wide circulation since ancient times without being subjected to any serious semantic analysis. The current study is the first known attempt at analysing these Chinese musical concepts linguistically, adopting the Natural Semantic Metalanguage (NSM) approach to formulate semantically and cognitively rigorous explications. Readers will be able to better understand not only these musical concepts but also significant aspects of the Chinese culture that many of these musical concepts represent. This volume contributes to the fields of cognitive linguistics, semantics, music, musicology and Chinese studies, offering readers a fresh account of Chinese ways of thinking, not least Chinese ways of viewing or appreciating music. Ultimately, this study represents trailblazing research on the relationship between language, culture and cognition.


Research carried out by one or more experienced NSM practitioners

Tagged as: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

(2016) Chinese – Idioms (chengyus)

Tien, Adrian (2016). Compositionality of Chinese idioms: The issues, the semantic approach and a case study. Applied Linguistics Review, 7(2), 149-180. DOI: 10.1515/applirev-2016-0007

Idioms – or something like idioms – occupy a special place as a speech genre in languages. It is compelling that the issue of what idioms are (or are not) and how they distinguish themselves from other related, though different, linguistic and phraseological categories, are of concern to all. This paper first examines various linguistic issues concerning the idiom genre before going into a detailed discussion about the chengyu in Chinese, which is an approximate yet by no means identical counterpart of the idiom as it is understood in English. It is argued that, as phrasal structures, Chinese chengyus are not all lexically fixed, neither are they all semantically non-compositional. By virtue of the example of the sememe zhong, lit. ‘(bronze) bell’, and its incorporation into certain chengyus, it is demonstrated that the sememic constituents of a chengyu can be only not compositionally significant semantically speaking but also, they may well hold the key to the reason why the literal meaning of a chengyu should be closely integrated into its intended, idiomatic (figurative) meaning. Chengyus that incorporate the sememe zhong comprise an idiomatic analogy and, in fact, zhong as a lexical item is represented in the content of this analogy as a cognitively real element. This paper adopts the Natural Semantic Metalanguage (NSM) framework as the basis for semantic analyses of such chengyus.


Research carried out by one or more experienced NSM practitioners

Tagged as: ,