Tag: (E) qiān cháng guà dù 牵肠挂肚

(2019) Emotions

Ye, Zhengdao. (2019).The semantics of emotion: From theory to empirical analysis. Pritzker, Sonya.E., Fenigsen, Janina., & Wilce, James.M. (Eds.). The Routledge Handbook of Language and Emotion (1st ed.). Routledge. https://doi.org/10.4324/9780367855093

Abstract

This chapter provides a systematic account of the Natural Semantic Metalanguage (NSM) approach to emotion and “affective science,” especially how it addresses three methodological questions: (a) how emotional meaning can be explicated in terms that are psychologically real to people; (b) how culture-specific meanings can be convened authentically to another linguacultural community, so that important nuances in the conceptualizations of emotions can be appreciated by cultural outsiders; and (c) how commonalities and differences in human experiences can be identified and articulated? The chapter draws upon a wide selection of NSM work across many languages, including Bislama, English, Mbula (PNG), and Chinese.

 


Research carried out by one or more experienced NSM practitioners

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(2002) Chinese (Mandarin) – Emotions and the body

Ye, Zhengdao (2002). Different modes of describing emotions in Chinese: Bodily changes, sensations, and bodily images. Pragmatics & Cognition, 10, 307-339. DOI: 10.1075/pc.10.12.13ye

In Chinese talk about emotions, the body is linguistically codified in different ways. There are three general modes of emotion description: one that relies on externally observable (involuntary) bodily changes, a second one that relies on sensations, and a third one that relies on figurative bodily images. While an attempt is made to introduce a typology of subcategories within each mode of emotion description, the paper focuses on the meaning of different iconic descriptions through the Natural Semantic Metalanguage (NSM). On the one hand, the linguistic evidence, from a Chinese perspective, attests to the emotional universals proposed by Wierzbicka (1999). On the other, it points to cultural diversity in the bodily conceptualization and interpretation of emotional experiences, which are crystallized in the linguistic conventions of Chinese emotion talk, including certain syntactic constructions. The paper also demonstrates the importance of examining the language of emotions in emotion studies, and concludes that a full account of emotions must include an examination of the language used to talk about them.

Explications are included for the following words and phrases: 煎熬 jiān’áo ‘simmering and stewing’, xin xiang zhen zha side ‘(my) heart is being pricked by needles’, 胆破 dǎn pò ‘broken gallbladders’, 魂不附体 hún bú fù tǐ ‘escaped souls’, 牵肠挂肚 qiān cháng guà dù ‘pulling on an intestine and hanging on a stomach’, xuan xin ‘heart dangling’, 心里七上八下 xīn li qī shàng bā xià ‘a heart like seven up and eight down’, 肝火 gānhuǒ ‘liver fire’.


Research carried out in consultation with or under the supervision of one or more experienced NSM practitioners

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