Tag: (T) Bislama

(2016) Bislama, English, Danish – Speech acts: lies

Levisen, Carsten (2016). The ethnopragmatics of speech acts in postcolonial discourse: “Truth” and “trickery” in a transculturated South Pacific tale. In Christoph Schubert & Laurenz Volkmann (Eds.), Pragmatic perspectives on postcolonial discourse: Linguistics and literature (pp. 41-64). Newcastle upon Tyne: Cambridge Scholars Publishing.

Abstract:

Providing a high-resolution explication of the Bislama (Vanuatu, South Pacific) speech act word giaman, from colonial English gammon (“to humbug”), the paper develops an ethnopragmatic profile of the speech act category “truth/lies/deception” and discusses the interpretative potential for a giaman-based interpretation of one of Hans Christian Andersen’s most cherished fairy tales, The Emperor’s New Clothes, which has now also been translated into Bislama. Demonstrating how giaman differs from European-type speech acts, and in particular from English and Danish semi-counterparts of the word (respectively lie and bedrage), the paper launches into a postcolonial critique of Anglo-international pragmatics and its so-called universal maxims and speech acts, showing a new way and a new synthesis called postcolonial ethnopragmatics.

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Research carried out by one or more experienced NSM practitioners

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(2017) Bislama – Cultural key words: REKE

Levisen, Carsten (2017). The social and sonic semantics of reggae: Language ideology and emergent socialities in postcolonial Vanuatu. Language & Communication, 52, 102-116. DOI: 10.1016/j.langcom.2016.08.009

In Port Vila, Vanuatu, young Pacific Islanders with an ambivalent stance towards the value system represented by the jioj ‘church’ are forming new socialities and new ways of socializing on the fragments of kastom ‘traditional culture’. The reggae sociality stands out. As a cultural key word, reke ‘reggae’ offers a rich point for understanding local language-embedded ideologies, and also for understanding the status of Bislama, the national creole. This study breaks new ground into the emerging discipline of sonic semantics and the study of language ideologies in postcolonial contexts.


Research carried out by one or more experienced NSM practitioners

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(2016) Bislama – Emotions

Levisen, Carsten (2016). Postcolonial lexicography: Defining creole emotion words with the Natural Semantic Metalanguage. Cahiers de lexicologie, 109, 35-60.

DOI: 10.15122/isbn.978-2-406-06861-7.p.0035

Abstract:

The lexicographical study of postcolonial language varieties is severely undertheorized and underdeveloped. Postcolonial Lexicography is a new framework that seeks to go some way towards filling the gap. It aims at providing a new praxis of word definition for the study of creoles, world Englishes, and other languages spoken in postcolonial contexts. NSM is used as an interpretative technique for the definition of meaning. The NSM approach allows for a fine-grained lexical-semantic analysis, and at the same time helps circumvent ‘conceptual colonialism’ and the related vices of Anglocentrism and Eurocentrism, all of which hamper advances in lexicographical studies in a postcolonial context.

More specifically, drawing on advances in lexical semantics, linguistic ethnography and postcolonial language studies, the paper offers an original analysis of emotion words in Urban Bislama, a creole language spoken in Port Vila, Vanuatu. The author develops a sketch of the Bislama lexicon of emotion and provides new definitions of kros, roughly ‘angry’, les, roughly ‘annoyed’ and sem, roughly ‘ashamed’. A table of Bislama exponents of NSM primes is included, as well as some discussion on the exponents for FEEL, GOOD, and BAD.

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Research carried out by one or more experienced NSM practitioners

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