Tag: (E) ai 哀

(2001) Chinese – Emotions

Ye, Zhengdao (2001). An inquiry into “sadness” in Chinese. In Jean Harkins, & Anna Wierzbicka (Eds.), Emotions in crosslinguistic perspective (pp. 359-404). Berlin: Mouton de Gruyter. DOI: 10.1515/9783110880168.359

This paper attempts to overcome the methodological problems that plague emotion studies by relying on the Natural Semantic Metalanguage (NSM). Through the explication of three so-called “sadness-like” Chinese emotion terms (悲 bēi, 哀 ai, and 愁 chóu), this paper will show how the NSM approach can provide a neutral comparative grid for further inquiries into the meaning of emotion concepts across languages and cultures.

The paper first provides a very general discussion of the Chinese emotion lexicon from a morphological point of view, followed by an in-depth semantic analysis of 悲 bēi, 哀 ai, and 愁 chóu in NSM. The discussion draws on linguistic evidence, including well-known textual examples, lexicalized items and conventionalized phrases and idioms that are familiar to the Chinese ear.


Research carried out in consultation with or under the supervision of one or more experienced NSM practitioners

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(2001) Chinese (Mandarin) – ‘Sadness’

Ye, Zhengdao (2001). Los sentimientos morales de la “tristeza” china: una ilustración del acercamiento del Metalenguaje Semántico Natural (MSN) al análisis de algunas emociones chinas “básicas” [Moral feelings of “sadness” in Chinese: An illustration of the NSM approach to the analysis of some “basic” Chinese emotions]. Isegoría, 25, 201-222.

Written in Spanish.

This study undertakes, within the framework of the Natural Semantic Metalanguage (NSM) approach developed by Anna Wierzbicka and colleagues, a detailed contrastive and comparative semantic analysis of a couple of Chinese emotion concepts: 悲 bēi and 哀 ai (often glossed interchangeably as sadness, sorrow, and grief), which are considered to be basic emotions in traditional Chinese philosophical texts. It illustrates that (a) they are by no means interchangeable, nor are they equivalent of the Western idea of sadness, (b) they are artifacts of the Chinese culture, shaped by Chinese people’s social and moral experiences, and their view of life and the universe. Essentially, 悲 bēi encompasses a fatalistic view, and 哀 ai is a moral emotion.


Research carried out in consultation with or under the supervision of one or more experienced NSM practitioners

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